3
Tools for Speculative Archaeology
2023–present


Tools for Speculative Archaeology (2023–present) treats archaeology as a speculative method within an ongoing inquiry into underworld infrastructures and the agency of corpse–ghosts. Rather than approaching archaeology as an empirical practice of recovery, the project understands it as a set of operations—burial, excavation, restitution, documentation—that unfold across the realms of the living and the dead.

The fictional figure of the “speculative archaeologist” works through recurring procedures and motifs that circulate across case studies. Economies of offering, spatial measurements, and linguistic slippages—such as between Míngqì (明器) and Míngqì (冥契)—reframe burial objects and records as instruments of transaction rather than static remains.

Within this framework, materials produced through different installations are also registered as artefacts and documents. Individually documented objects are presented in an archaeological register, foregrounding their material properties and procedural roles as tools within an ongoing research project.













Archive of the Realm of Yin: YM_SHIZIWAN_M1, 1-48 (front and back)
2025, drawing and embroidery on dyed and wax-coated linen, metal frames, 35
cm x 45 cm; Photographed with checkerboard scale, grayscale ruler, color checker by







The Money Form Series: No.2
2024, fire-retardant processed joss paper packages, size variable

The Money Form Series: No.1
2024, wax-coated joss paper stacked, rubber bands, waxed threads; dimensions variable





Tomb Plan Series: No. 4
2023, embroidery on textile, masking tape, 305mm x 204mm


Tomb Plan Series: No. 3
2023, embroidery on textile, clay, 210mm x 205mm







Míngqì: Freshly Unearthed Spoons 
2023, (top) plaster spoon debris and a photographic scale half-buried in a children’s archaeology park; dimensions variable. (bottom) plaster, mineral pigment; each 122 × 45 × 40 mm, varying in degree of damage