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Tools for Speculative Archaeology
2023–present


Tools for Speculative Archaeology (2023–present) takes archaeology as a speculative tangent to an ongoing line of inquiry into underworld infrastructures and the agency of corpse–ghosts. Rather than treating archaeology as an empirical practice of recovery, the research approaches it as a ritual negotiation across realms—where burial, excavation, restitution, and haunting continually fold into one another.

The methodology of the fictional “speculative archaeologist” emerges through recurring motifs and operations that circulate across works. The economy of offering—exemplified by the burning of ghost money—models material exchange with the underworld. Spatial measurements—site plans and excavation grids—are re-enacted from the tomb owner’s perspective. Linguistic slippages—between Míngqì (明器, spirit-articles) and Míngqì (冥契, contracts with the underworld)—recast burial goods as tokens of transaction between the realms of the living and the dead. 

As an ongoing research project, Tools for Speculative Archaeology collects these recurring symbols as provisional “tools”—implements that remain in flux, awaiting to be refined, recombined, and reimagined in future case studies that continue to probe the connections between archaeology, underworld infrastructures, and ghostly agency.







The Money Form Series: No.2
2024, fire-retardant processed joss paper packages, size variable


The Money Form Series: No.1
2024, wax-coated joss paper stacked, rubber bands, waxed threads; dimensions variable






Tomb Plan Series: No. 4
2023, embroidery on textile, masking tape, 305mm x 204mm


Tomb Plan Series: No. 3
2023, embroidery on textile, clay, 210mm x 205mm







Míngqì: Freshly Unearthed Spoons 
2023, (top) plaster spoon debris and a photographic scale half-buried in a children’s archaeology park; dimensions variable
(bottom) plaster, mineral pigment; each 122 × 45 × 40 mm, varying in degree of damage